The iconic Lady Dior handbag, a symbol of timeless elegance, has been given a radical and mesmerizing transformation by Belgian designer Isaac Monté. In a project commissioned by Dior for their new Vienna flagship, Monté has applied his signature crystallization process to these coveted accessories, turning them into unique, glimmering artifacts. This collaboration, showcased by Spazio Nobile gallery, highlights the fascinating intersection of high fashion and material experimentation.

Designer: Isaac Monté

Monté’s “Crystallized” series is an ongoing exploration that began with vases and has now extended to the windows of Dior boutiques and the Lady Dior itself. The inspiration behind this series lies in the natural beauty of stalagmites and other mineral formations. Monté views time as a crucial element in his sculptural process, allowing each piece to develop organically based on the chemical reactions within its environment. The process of crystallizing the Lady Dior handbags is described as painstaking, involving the meticulous layering of minerals and oxides. This technique, honed by Monté over a decade, allows him to create faceted surfaces that are both bold and delicate. The resulting texture and sheen shift with the light, giving the handbags the appearance of being adorned with natural gemstones.

A key aspect of Monté’s work is the embrace of natural intervention. Unlike traditional manufacturing processes that rely on molds or machines, each crystallized Lady Dior grows uniquely. This means that no two handbags are alike in terms of color, structure, or surface finish. This inherent unpredictability and singularity are central to the philosophical underpinnings of Monté’s art. “It’s about patience,” the artist explains. “About letting nature intervene in the act of making.” This philosophy stands in stark contrast to the fast-paced world of fashion, where replication and standardization are often the norm. Monté’s work with Dior invites a slower, more contemplative appreciation of the objects, emphasizing the beauty of natural processes and the passage of time.

By treating the Lady Dior as a piece of “living architecture,” Monté has elevated the handbag beyond its functional purpose. The crystallized surfaces evoke a sense of history and geological wonder, transforming a fashion icon into a unique work of art. This collaboration between Isaac Monté and Dior, facilitated by Spazio Nobile, demonstrates how material experimentation and an appreciation for natural processes can lead to breathtakingly beautiful and thought-provoking results. The crystallized Lady Dior handbags are not merely display objects; they are visceral testaments to the alchemical power of time and nature’s artistry.

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Back in the day, handheld gaming meant slipping AA batteries into a Game Boy and hoping your save file didn’t vanish with a sneeze. Fast forward past the PSP era, through the Switch’s heyday, and here we are – surrounded by sleek, cloud-connected consoles that look like they could file your taxes if you asked nicely. Into this already-packed arena walks the Abxylute One Pro, strutting like it knows something the others don’t. Spoiler: it kind of does.

The One Pro isn’t trying to outgun a Steam Deck or push frame rates like a ROG Ally. That’s not its lane. What it offers instead is something far more focused – and frankly, way more fun. This is a machine that understands handheld gaming isn’t always about performance brute force. Sometimes it’s about slipping into retro bliss, emulating PS2 titles flawlessly, and doing it all without melting your palms or draining your wallet.

Designer: abxylute

Click Here to Buy Now: $209 $249 ($40 off) Hurry! Only 10 days left

Powered by the MediaTek Genio 510, the One Pro gets a solid boost over the OG Abxylute. This chip isn’t exactly a household name, but under the hood it’s no slouch. We’re talking dual Cortex-A78 cores backed by four Cortex-A55s – enough to push 60fps on PS2 emulation, which is kind of the sweet spot for most old-school titles. Paired with 4GB of LPDDR4 RAM and 64GB of storage (expandable to 2TB), it’s well equipped for managing retro libraries, mobile games, and light Android multitasking.

And yes, it’s running Android 13, which means Google Play Store access is baked in. Emulators? Check. Remote play for Steam, PS5, and Xbox? You bet. Mobile games and streaming? Abxylutely (geddit?). But what makes the One Pro feel unusually tuned-in is how it’s tailored to the hands of gamers who actually care about control fidelity.

The joysticks are a big deal here. These aren’t the mini thumb-nubs you find on cheaper handhelds or Joy-Con imitators. They’re full-sized capacitive digital joysticks, which should mean better accuracy, less drift, and a bit of that Xbox-controller muscle memory. For something this compact, that’s a surprisingly premium touch – and one that’ll matter when you’re trying to stick a landing in Tony Hawk or line up a sniper shot in Metal Gear Solid 3.

Display-wise, you’re getting a 7-inch 1080p LTPS screen with a 60Hz refresh rate. It’s not OLED, but for the price point it’s respectable – colors are punchy, motion feels smooth, and the screen size hits that ergonomic sweet spot. The design goes semi-transparent, evoking that late ’90s aesthetic like it just walked out of a Toys“R”Us catalog – but the vibe works. It’s retro without being cosplay.

You’ll also find touchscreen mapping tools, controller customization, and even 4K video output – ideal if you’re hooking this up to a TV or some wild AR glasses setup. Connectivity includes Wi-Fi 5 with MU-MIMO (so your game stream won’t choke), Bluetooth, and USB-C for charging or docking. The 5,200mAh battery promises up to 8 hours of use, which feels just right – not marathon-level, but good enough to get you through a long flight or a Sunday couch session.

Size-wise, it clocks in at 250mm x 115mm x 30mm and weighs 430 grams. That’s chunky enough to feel sturdy without veering into wrist-cramp territory. Luckily, it’s still hyper-compact, leaning into Switch Lite or Legion Go S territory, which makes it perfect for on-the-go gaming… and although the abxylute One Pro doesn’t really ship with a protective case, you can grab a nifty soft-shell carry case on abxylute’s website for pretty cheap, complete with mesh pockets for keeping things like charging cables, MicroSD cards, and whatnot.

The Kickstarter launched on March 27, with early bird pricing at $209, and the full retail price landing at $249. Shipping kicks off mid-to-late May, so it won’t be long before you get the unit in your hands – and the sooner the better, judging by the whole tariff-measuring competition the US and China are having…

Click Here to Buy Now: $209 $249 ($40 off) Hurry! Only 10 days left

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The AGE360 skyscraper in Curitiba, Brazil, is a model of innovative design by Triptyque Architecture and Architects Office. Its unique exterior is not just visually striking but also functional, featuring a concrete exoskeleton that offers structural support and maximizes interior space by eliminating the need for internal columns. Originally planned to reach 150 meters (492 feet), its height was reduced to 124 meters (406 feet) to comply with local planning laws. These regulations also led to the chamfering of the north and east sides, ensuring that essential views and sunlight are preserved for the surrounding areas.

Designer: Triptyque Architecture and Architects Office

Recalling the innovative design of Zaha Hadid Architects’ renowned Morpheus Hotel, this skyscraper is crafted with a unique structural approach, omitting traditional internal supports. Instead, the building relies solely on its central elevator and stair core to maintain its structural integrity. This intentional design choice creates a spacious and luxurious interior, offering open floor plans that enhance the living experience within the residences. These expansive layouts provide a sense of freedom and openness and also improve the panoramic views of the surrounding landscape, offering residents breathtaking vistas and a seamless connection with the environment outside.

“The tower relies on a load-bearing facade, freeing the internal spaces from structural constraints and allowing total reversibility of layouts,” said Triptyque and Architects Office’s press release. “The structural grid is interrupted to accommodate collective spaces dedicated to sports and well-being, while its lightweight, fully glazed facade opens the interior spaces to panoramic views of Curitiba, thus connecting the residents to the outside world.”

The interior of the building is thoughtfully designed to encompass a total of 36 floors dedicated entirely to residential spaces, providing ample living areas for its occupants. The building also features a dedicated amenities space located approximately 70 meters (229 feet) above ground level. This area is equipped with a variety of luxurious facilities, including an outdoor garden area that offers a refreshing natural retreat, a beautiful pool for relaxation, and a state-of-the-art spa and fitness center to cater to health and wellness needs.

While it may be a stretch to label this massive concrete edifice as entirely sustainable, it does incorporate several environmentally conscious features. The building is fitted with solar panels that play a crucial role in reducing its overall electricity consumption from the grid. A sophisticated rainwater capture system is also integrated into the building’s infrastructure, ensuring that collected rainwater is utilized efficiently to irrigate the vegetation throughout the complex. These eco-friendly measures contribute to a more sustainable living environment, even within the confines of such a substantial concrete structure. Conceived in 2017 and completed over eight years, the project was developed by AG7 Realty, with interiors by Suite Arquitetura and landscape design by Renata Tilli Paisagismo.

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Healthcare systems around the world are under pressure, and South Korea is no exception. With a single healthcare professional often responsible for 16 to 43 patients, providing personalized, one-on-one rehabilitation becomes a nearly impossible task. Legit, an AI-powered walking aid, steps in to meet this challenge, offering a smarter, more efficient way to deliver high-quality rehab training without overburdening medical staff.

Legit is designed to support patients as they approach the walking stage of recovery. It enables them to train independently while still benefiting from expert-level oversight. At the heart of its functionality is the seamless integration of artificial intelligence and wearable technology, allowing for real-time feedback, remote monitoring, and adaptive support tailored to each patient’s condition.

Designers: eunhye jang, i jeongsu, Yun A Jang, and Yunjae Shin

Before training begins, patients attach a wearable EMG (electromyography) sensor patch to their thigh or calf. This patch detects muscle activity and communicates directly with the walking aid. The AI system analyzes this data in real time, adjusting training programs to suit the patient’s progress and condition. This not only personalizes the rehabilitation experience but also ensures that the patient remains safe and supported throughout their session.

Training with Legit isn’t passive, it’s purposeful. Patients follow an LED light beam projected onto the floor, which guides their stride and pace during walking exercises. The walker’s built-in display delivers intuitive feedback, showing real-time updates on speed, distance, and muscle engagement. It’s like having a digital coach on wheels, one that’s always responsive, never tired, and perfectly calibrated to the user’s needs.

For healthcare professionals, Legit is just as transformative. Through a centralized application, staff can manage multiple devices with ease. They start by selecting an available walker, checking its battery level, and turning it on. The system then displays the latest patient feedback, allowing medical staff to assess progress and identify any concerns. Based on this information, the AI suggests optimized training modes tailored to the patient’s rehabilitation stage. Once selected, these modes are linked to the device, and the session begins, all from a remote interface. This streamlined process enables minimal staffing without compromising the quality of care.

Legit allows patients to train within hospital track systems, where support is nearby if needed, but not constantly required. The walker adjusts in real time, helping patients fine-tune their gait, build strength, and regain mobility in a controlled, monitored environment. The combination of autonomy for the patient and oversight for the staff strikes a perfect balance, making rehab both accessible and effective.

More than just a walking aid, Legit represents a new mindset in rehabilitation—one where intelligent systems and human care work hand in hand. By reducing the dependency on constant physical supervision, it frees up valuable time for healthcare workers while empowering patients to take an active role in their recovery.

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Nothing seems determined to keep us on our toes this year, don’t they? It feels like just yesterday we were dissecting the launch of the Phone (3a) series back in March, their strategic play to capture a wider audience with a more budget-friendly offering. It was a smart move, bringing that signature transparent design and Glyph interface magic to a price point many more could stomach, broadening their battlefield significantly.

And the momentum doesn’t seem to be slowing. Rumours are swirling thick and fast about their CMF sub-brand dropping its second phone, on the 28th of this month. Talk about expanding the portfolio! But amidst this flurry of activity targeting different market segments, the inevitable whispers about the main event have begun. Fresh speculation points towards the arrival of the flagship Nothing Phone (3) as early as July.

Designer: Konstantin Milenin

This July timing aligns neatly with their previous major phone releases, lending credence to the speculation. While official confirmation is naturally absent – Nothing plays its cards close to its chest – the consistency makes the rumour feel plausible.

What can we expect from the Phone (3)? Details are scarce, naturally. However, looking at the progression from Phone (1) to (2), iterative refinement seems likely. A processor bump feels inevitable, perhaps moving to something like the Snapdragon 8s Gen 3 to set it apart from last month’s Phone (3a) series. Camera improvements are always on the wishlist, and given the (3a) Pro’s impeccable 3-lens shooter, it’s safe to say the Phone (3) will aim higher. There’s definitely going to also be a big focus on AI features, which Nothing debuted with the (3a) in the form of a dedicated AI button that leads to their homegrown Essential Space app (which rumors suggest will eventually turn into a paid feature.)

This particular Phone (3) concept shown above comes from the mind of Konstantin Milenin, with a few details that really grab the eye. Even though the Glyph Interface has been the Nothing Phone’s crown jewel, it’s always been guided by the shape of the charging coils on the back. Change this shape, and you retain the essence of the Nothing Phone, but introduce an absolutely new flavor to it. Milenin’s concept does just that, opting for a unique closed U-shaped charging coil that allows the glyph interface to take on a different form factor.

Meanwhile, the camera layout stays roughly the same, albeit with the inclusion of the periscope lens from the (3a) series. The glyphs around the other two lenses is slightly different too, with a curved/arc shape that breaks visual monotony.

Of course, the Glyph Interface will be central. Will we see further evolution here? More granular control, perhaps? New integrations? Nothing’s design language is its strongest asset, and iterating thoughtfully on the Glyph system is crucial to maintaining that edge. They need to balance novelty with genuine utility, ensuring the lights remain more than just a party trick.

The market context is also interesting. Nothing operates in a fiercely competitive space, straddling the line between mid-range value and premium aesthetics. With the CMF sub-brand now catering to the budget-conscious segment, the main Nothing line can potentially lean further into its premium aspirations, refining its hardware and software experience without compromising its core identity.

Anticipation will undoubtedly build. Nothing has mastered the art of the hype cycle, leveraging community engagement and carefully curated leaks to maintain buzz. Whether the Phone (3) represents a revolutionary leap or a subtle evolution, its arrival will be significant. It marks another chapter for a young company still defining its long-term place in the tech landscape.

Ultimately, a potential July launch keeps Nothing firmly in the conversation. It signals their continued ambition and commitment to the smartphone arena. We’ll be watching closely, eager to see if the Phone (3) can once again capture that unique blend of design intrigue and accessible innovation that defined its predecessors. The wait, as always, begins.

The post Major Nothing Phone (3) Leak Hints At A July Launch Date first appeared on Yanko Design.

Renowned Dutch architecture firm MVRDV has been selected to transform a decommissioned church dramatically. The historic building, once a place of worship, will be converted into a public swimming pool featuring an innovative movable floor that allows guests to “walk on water.” Playfully titled Holy Water, the project is a collaboration between MVRDV and Zecc Architecten. Together, they will reimagine the century-old St. Francis of Assisi Church in Heerlen, the Netherlands, which has remained unused since 2023.

This ambitious project will require quite a few alterations to the church’s original interior, beginning with the removal of the existing floor to accommodate a new swimming pool. Elements of the historic building will be thoughtfully repurposed – the old pews will become seating for swimmers and bar tables for spectators, while the former pulpit will serve as a lifeguard’s chair. An innovative adjustable floor will also be installed, allowing the pool area to be covered and transformed into an events space when needed. This flexible design ensures the former church will function both as a swimming facility and a vibrant community venue.

Designer: MVRDV and Zecc Architecten

“An adjustable swimming pool floor brings flexibility to the space that was once the church’s nave, allowing it to host a variety of activities in addition to swimming,” said MVRDV. “The floor also makes it possible to fill the entire space with a thin layer of water, creating an impressive reflection of the church that gives visitors the feeling that they can walk on water.”

The renovation will introduce a beautiful new mosaic floor that will extend throughout the pool’s perimeter as well as across the adjustable pool floor itself. This design choice is a thoughtful homage to the church’s stained-glass windows, which will be carefully preserved and continue to provide vibrant color and light to the interior. New lighting fixtures will also be installed, and chosen specifically to complement and respect the church’s original architectural character. Renderings of the project show that other historic features, such as the organ pipes and religious paintings, will also remain in their original positions, adding to the building’s unique charm and sense of history.

In such a project, it is important to protect the church’s delicate historic elements, including the old wooden structures and stained-glass windows, from the increased humidity generated by the pool. To address this, MVRDV and Zecc Architecten plan to install transparent glass walls to enclose the pool area, effectively creating a barrier that shields the sensitive features from moisture while still allowing unobstructed views. The church’s roof will also be upgraded with modern insulation to improve the building’s overall thermal efficiency.  The project is scheduled for completion in 2027 and also includes the collaboration of IMd Raadgevende Ingenieurs, Nelissen Ingenieursbureau, and SkaaL.

The post MVRDV Reimagines 100-Year-Old Dutch Church As A Public Pool With Innovative ‘Movable’ Floor first appeared on Yanko Design.

Projectors have always held a subtle advantage over TVs: inherent portability. You could never just casually toss a 50-inch television into a bag for a weekend getaway. Yet, for a long time, projectors themselves weren’t exactly pinnacles of design – functional, often bulky, white or beige boxes. That’s changing fast. A new wave of smart projectors, spearheaded by brands like XGIMI, JMGO, and Nebula, are aggressively shedding that utilitarian skin, embracing aesthetics that make them mantle-worthy decor and genuinely travel-friendly companions. The era of the boring box is fading.

Into this evolving landscape steps the Dangbei N2 Mini. At first glance, it fits right into the modern aesthetic of compact tech. It’s small, unassuming, and designed to blend in, aided by a clever built-in gimbal stand allowing easy tilting up to 95 degrees. This isn’t a powerhouse meant for a dedicated home theater; it’s positioned as a versatile companion for spontaneous movie nights, easy bedroom ceiling projections, or adding a big screen where a TV won’t fit. Its portability invites users to rethink content consumption.

Designer: Dangbei

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The crucial feature that sets it apart is its native Netflix certification. Dangbei securing official Netflix support is a huge win for convenience, sitting alongside preloaded Prime Video, YouTube, YouTube Kids, and nearly 300 other streaming apps. No Chromecast, no Fire Stick, no Roku, no Apple TV. The N2 Mini has everything it needs within, giving you a smart device that’s all-encompassing on both the hardware and software level.

Of course, a projector lives and dies by its image quality. The N2 Mini offers a native 1080p resolution for solid clarity, capable of projecting an image up to 120 inches. It has 200 ISO lumens of brightness, which might be its only Achilles heel. Although not designed to battle bright daylight, it performs admirably in dimly lit or dark rooms – its intended environment. Support for HDR10 and HLG also aims to deliver better contrast and color than basic SDR projectors within its brightness class.

Automatic focus, keystone correction, and even obstacle avoidance come baked in, so your projector is literally as easy to use as a point-and-shoot. Point the projector roughly where you want the image, and it should electronically square things up, focus sharply, and adjust for objects in the way. This automation, combined with a quiet 26dB operating noise and a dust-resistant design, reinforces the N2 Mini’s plug-and-play appeal for casual users.

Sound is handled by a pair of 6W speakers with Dolby Audio support. While integrated speakers rarely rival dedicated soundbars, having decent onboard audio is essential for grab-and-go portability. It means you can move it to another room and start watching without needing external speakers, though Bluetooth 5.0 connectivity is available if you want to upgrade the audio experience for a more cinematic feel during longer sessions.

Connectivity options are standard but sufficient: an HDMI port for consoles or laptops, a USB-A port likely for media playback, faster dual-band Wi-Fi 6 for smooth streaming, and the aforementioned Bluetooth. These ensure it can handle various sources beyond its native apps, maintaining that ease-of-use focus that defines the experience while keeping pace with current wireless standards for reliable performance online.

The Dangbei N2 Mini enters a crowded market, but its official Netflix support provides a compelling argument, especially considering its highly accessible promotional price of $179 (discounted from $229). It addresses a common pain point directly without demanding a premium. While not the brightest projector overall, it presents a remarkably well-rounded package focused squarely on convenience and popular streaming within a compact, smart, and aesthetically current form factor. It’s a pragmatic, affordable solution for everyday big-screen enjoyment.

Click Here to Buy Now

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Zen aesthetics is deeply rooted in Zen Buddhist principles with an emphasis on simplicity, natural beauty, and tranquility. Originating in China and Japan, Zen design focuses on eliminating excess by focusing on only what is essential and fostering harmony between elements to create a balanced and serene design. This approach aligns closely with minimalist design and embraces the idea that “less is more.”

At its core, Zen design draws inspiration from nature, seeking to reflect its purity and peacefulness in every aspect. This is because it is not just about appearances but about connecting deeply with the essence of nature that promotes calmness and mindful appreciation of life and design.

What is the Relationship Between Zen Aesthetics and Minimalist Design?

Minimalist design, born from a desire to strip away excess, finds a kindred spirit in Zen aesthetics. Both philosophies champion simplicity as a pathway to clarity, favoring essential elements and a muted color palette. This shared emphasis creates spaces and objects free from distraction, allowing the inherent beauty of form and material to shine. Rooted in Zen principles, minimalist design transcends mere functionality, aiming to reveal the essence of an object and create a timeless aesthetic that resonates with a sense of calm.

Zen aesthetics further enriches minimalist design by infusing it with depth and tranquility. Beyond the removal of clutter, it introduces a sense of balance and mindfulness into every design element. This approach transforms minimalist creations into more than just functional objects; they become reflections of inner peace and harmony. By embracing principles like asymmetry (fukinsei) and naturalness (shizen), Zen aesthetics elevate minimalist design, fostering a deeper connection between the user and the object, promoting a sense of serenity and contemplation.

Functional Design

Zen design emphasizes reduction, and refinement and focuses on functionality with a fuss-free approach that avoids unnecessary elements or clutter. It is a philosophy that reinforces the idea that less is more. The primary goal of zen aesthetics is to focus on simplicity without frills by prioritizing function over form. As a result, clean lines, minimal ornamentation, and only essential elements should be included to solve a practical purpose in product design. This makes the product intuitive, visually appealing, and easy to use. Additionally, Zen aesthetics encourage sustainable design and it aims for longevity and durability in form and function.

Form follows function in the Zenbrew coffee maker concept, where each design element enhances the brewing experience and promotes tranquility. The goal is to turn the simple act of making coffee into a peaceful ritual, combining minimalist design, elegant aesthetics, and essential functionality. Zenbrew is inspired by the hourglass shape, symbolizing calm and simplicity, while the designs evoke a sense of serenity. One variation resembles a traditional coffee maker with a glass dome, while the other combines a pour-over device with a Bunsen burner that creates a futuristic, space-like vibe.

Zenbrew aims to create a zen-like atmosphere as you brew and sip your coffee and it helps you start or end your day in a mindful and unhurried way. While a beautiful coffee maker alone won’t guarantee a perfect morning it may inspire a more intentional routine. Zenbrew embraces zen aesthetics and encourages slowing down by embracing the moment and turning your daily coffee ritual into an opportunity for peace and reflection especially in the early mornings.

Integrates Balance and Harmony

Zen design and aesthetics aim to achieve a sense of balance and harmony between various design elements so that they work together effortlessly. The design seeks equilibrium, with symmetry and proportion as essential principles. Balance in product design refers to the visual distribution of weight and creates compositions that feel stable without any part overpowering the others. Also, harmony aims to strike a balance between creativity and visual appeal by fostering a sense of order and unity, while ensuring a pleasing balance between the various design elements. Therefore, in zen-inspired product design, the interaction between form and function should flow naturally and foster a sense of calm and serenity.

Outside In is a multifunctional, shapeshifting table inspired by the balance, harmony, and serene design of Japanese Zen gardens. Featuring hand-carved grooves in its timber frame, the table evokes the raked patterns of these gardens, blending minimalist design with natural elements. Designed by Samuel Burns for Sabu Studio, the table is both an art piece and a practical furniture solution. Its sinuous timber surface is paired with hand-carved granite and marble elements that slide across the grooves, offering adaptable flat surfaces.

This versatile design allows the marble halves to separate and create smaller surfaces, or these pieces can come together to form a larger tabletop. Burns drew inspiration from the natural flow of water and Zen gardens to bring a sense of tranquility to urban interior spaces. Fully functional and symbolic, Outside In is ideal for hospitality settings or event halls as it blends nature with modern design to create harmony and balance in any space.

Nature-Inspired Design

Zen aesthetics are deeply inspired by nature, evoking a sense of calm through earthy textures and organic shapes. Materials like bamboo, wood, stone, and clay are commonly used in product design to create a connection to the natural world. This approach embraces a minimal color palette and values simplicity, resulting in uncluttered designs that promote tranquility. Sustainable design practices are also key, with a focus on using natural materials, energy-efficient designs, and minimizing waste during manufacturing, production, and packaging. The products feature organic and rounded forms that are inspired by the fluidity of nature and further enhance the sense of harmony and balance.

Blom is an innovative air purifier that seamlessly blends and creates a harmonious nature-inspired design that is combined with advanced technology. Drawing inspiration from the elegance of flowers, Blom’s organic, flower-like shape not only enhances air quality but also elevates the aesthetic appeal of any space. Its design mirrors the natural forms of plants, which purify the air by filtering pollutants and producing oxygen. It is a creative way of symbolizing a harmony between nature and function.

This nature-inspired design goes beyond aesthetics and offers practical benefits. Blom can be wall-mounted or placed on a stand, fitting easily into any room. Equipped with a HEPA filter for efficient purification, it ensures a constant flow of clean air. The purifier’s intuitive design includes a magnetic remote and smart technology that allows the users to control the unit via an app. Blom’s fusion of form, function, and nature makes it a beautiful, functional addition to any living space.

Embrace Imperfections

Zen aesthetics is rooted in the Japanese concept of wabi-sabi, which encourages the appreciation of imperfection and the impermanence of all things. It invites us to accept the natural cycles of growth and decay, celebrating flaws such as cracks, crevices, rust, and patina as signs of authenticity. In product design, Zen aesthetics embraces these imperfections, viewing them as an essential part of the overall beauty. Each flaw adds uniqueness and character, making every piece one-of-a-kind. Instead of opting for a flawless, mass-produced look, Zen design values individuality and finds beauty in subtle irregularities. For instance, in Japan, Kintsugi is the art of repairing broken objects with gold.

The concept of kintsugi, the Japanese art of repairing broken pottery with gold, is the inspiration behind this unique notebook. Kintsugi symbolizes embracing imperfection and the beauty of restoration by encouraging self-acceptance and resilience. The notebook’s black cover features gold screen-printed lines that mimic the cracks mended with lacquer in kintsugi, representing the strength found in healing and the beauty in flaws. This design invites the owner to reflect on their journey of growth and recovery.

Inside, the notebook features pages made from bagasse, a sustainable material derived from sugarcane residue, emphasizing the theme of renewal. By reusing what was once discarded, the notebook not only promotes personal healing but also contributes to environmental recovery. Combining minimalist design with traditional Japanese craftsmanship, this notebook encourages its owner to embrace imperfection, find beauty in brokenness, and create something meaningful from what is often overlooked. It’s a powerful reminder that even the cracks can lead to something beautiful.

The symbiotic relationship between Zen aesthetics and minimalist design transcends mere visual similarity, offering a profound approach to creating spaces and objects that nurture both mind and spirit. As we’ve explored through various examples, from the meditative Zenbrew coffee maker to the transformative Outside In table and the thoughtful Blom air purifier, we see how these principles manifest in contemporary design. What makes this relationship particularly powerful is not just the shared commitment to simplicity, but the deeper philosophical underpinnings that elevate minimalist design from a style choice to a mindful practice. When designers embrace Zen principles such as functional elegance, natural harmony, and the beauty of imperfection, they create works that don’t merely occupy space but actively contribute to our sense of tranquility and presence.

In our increasingly complex and overstimulated world, the marriage of Zen aesthetics and minimalist design offers more than aesthetic appeal; it provides a pathway to mindfulness and intentional living. These design approaches remind us that true beauty often lies in restraint and that the spaces and objects we surround ourselves with can either contribute to mental clutter or foster clarity. By embracing the principles outlined in this exploration, designers and consumers alike can create environments that not only please the eye but also nurture the soul. In this way, the ancient wisdom of Zen continues to offer relevant guidance for contemporary design challenges, proving that sometimes, the most profound innovation comes from honoring timeless principles rather than constantly pursuing the new.

The post Beyond Minimalism: Discovering the Soul of Japanese And Zen Aesthetics in Product Design first appeared on Yanko Design.

I’ve heard of people taking meetings from the backseat of their car, but what the Caro is proposing is pretty wild – turning your driver seat into a makeshift desk for quick in-car productivity. Designed as a stand that locks into your steering wheel and gives you a tabletop surface, the Caro Stand & Table lets you turn your driver seat into a makeshift table for pretty much anything. Work on emails, take quick meetings, watch a movie, get stuff done on road trips, create content on-the-go, heck you can even eat an entire meal on the stand’s tabletop accessory so you don’t accidentally get barbecue sauce on your pants because you kept your food on your lap. The idea, as bizarre as it sounds, is perfect for a whole variety of scenarios – especially for remote work, road trips, city commutes, on-the-go content creation, or just anyone who needs to quickly get stuff done between car rides whether it’s checking a document or checking your make-up.

Think about it – your car seat is nothing more than a comfortable chair – so why not have a table along with it? That’s what the Caro Stand & Table sort of addresses. When parked, the stand slips right into your steering wheel, locking into place so you can dock a laptop with near-perfect precision and work from your seat without moving. Want to ditch the laptop for your Chipotle bowl and Jamba Juice shake? The Caro Stand has a four-part folding table that locks into place, giving you a perfect place to eat a meal, place a Nintendo Switch, or even work with a laptop and a mouse on the side. Necessary? Well, maybe. Genius? Absolutely.

Designer: Yun Seok Shin (caomobi CEO)

Click Here to Buy Now: $79 $119 (34% off). Hurry, only 174/200 left!

Car desks have existed for a while now, but search the internet and you’ll see how childish they look. Designed to feel like the kind of tray attached to a child’s high chair, these are mostly designed for holding food and drinks – anything else feels weirdly out of place. The Caro, on the other hand, is designed differently. A minimal, foldable, slick device, the Caro opens up and locks into your steering wheel, giving you a very stable place to dock your laptop. The metal design feels intentional – it’s strong, dissipates heat, and allows the Caro to be very compact. You can dock your laptop in a variety of angles, or ditch the laptop entirely to dock a four-part table that turns your car into anything you want it to be – a dinner table, a vanity table, a place to get a quick nap – it’s entirely your choice.

The Caro Stand is rather clever, with its tiny, yet hyper-adjustable form factor. Sort of like one of those laptop stands you’d use on your desk, the Caro Stand is optimized for your steering unit. It unfolds, locks into your steering wheel, and rests against the housing of the steering shaft. The base of the Caro Stand can then rest a laptop on it securely, going from anything as small as an 11″ tablet to a mammoth 18″ laptop.

Why not just place the laptop on your lap instead? You could, but anyone who’s tried actually working that way will tell you that the Laptop (despite its name), isn’t really comfortable on the lap. Your neck bends too low, the laptop heats your thighs, and your eyes get strained because of the angle. It isn’t ergonomic at all – which is why most desks are at least a good 6-inches higher than the average lap. The Caro Stand does that too, stably balancing your laptop on the same level as your steering wheel. This is perfect because your neck is used to looking at the steering wheel or the speedometer behind it, and your hands are used to the angle of the wheel itself.

Studs let you adjust your laptop, so you’re not limited to just one angle. Sit the laptop flat for the basic version, angle it once and you have an even more ergonomic setup with a lifted display, and angle it further and you can actually slide a keyboard in and work in ways that you wouldn’t even think possible with existing car desks. If you want to take your setup even further, the Caro Stand supports dual-monitor use, simply by allowing you to tilt your laptop upwards and fit an extra portable monitor in place (like the setup shown below).

If the stand isn’t enough, the foldable table is Caro’s pièce de résistance. It locks into the stand and folds out into a versatile table that you can use for pretty much anything. The table’s four-part design means you can fold out half the table if you want a compact space at just 13.1″ wide. Open the panels further and it goes up to 23.4″, while being 8.2″ deep.

The table sits perfectly flat and has a fairly matte surface that prevents items from sliding around. It also holds a respectable 33lbs (15kg) of weight, so you could easily use it to place your work setup, your lunch spread, or even vlogging gear in case you’re the kind to vlog from your car. Moreover, integrated supports in the center hinge let you angle-adjust your laptop even on the table, giving you a perfect combination of ergonomics and space efficiency.

A fair warning: the Caro clearly isn’t meant to be used while the car’s on. It locks INTO the steering wheel, which nobody should do while the car’s running or not parked. It does, however, allow you to freely enter and exit your car without needing to disassemble your setup (so you can pop out for a quick break or grab an extra soda from the drive-thru restaurant).

The Caro’s parts are designed to be compact and resilient, docking into the steering wheel with silicone pads that prevent the wheel’s leather from getting damaged, as well as around the laptop docking section to prevent scratches on your device. That being said, it fits most steering wheels and even yokes and should work with almost every car. For pretty much anyone who needs a quick workspace between home and the office, the Caro Stand & Table offers a great alternative to scrambling and struggling with your laptop or your lunch in your car. When all’s said and done, the entire thing folds into a compact format small enough to fit into your glove box. Pretty smart, no?

Click Here to Buy Now: $79 $119 (34% off). Hurry, only 174/200 left!

The post Weirdly Awesome Car Laptop Stand Turns Your Driver’s Seat Into The Most Versatile Workspace Ever first appeared on Yanko Design.

Swatt + Partners, a prominent local architecture studio, has masterfully designed a home office that seems to float above the natural landscape. This effect is achieved by supporting a “wood-framed glass box” with two vertical concrete slabs, creating a striking architectural feature that both blends with and stands out from its surroundings. Called Moss Rock, this innovative project is situated on a sprawling nine-acre (3.6-hectare) rural property in Healdsburg, a charming town located in the heart of northern California’s renowned wine country.

Nestled in Dry Creek Valley, the site is enveloped by a lush forest, rich with Douglas fir, madrone, and oak trees, providing a serene and picturesque backdrop. The property, originally designed by Swatt + Partners in 2008, includes a two-story house in Emeryville, Bay Area. The owners wanted to expand their space with a distinct home office separate from the main house. Swatt + Partners rose to the challenge, designing a sleek rectangular structure positioned to the west of the main residence. This new addition is thoughtfully crafted to minimize environmental impact, showcasing the firm’s initiative to create a sustainable and harmonious design.

Designer: Swatt + Partners

The building’s design is both functional and elegant, with a portion of the structure gracefully hovering over a narrow, flat pad while another section extends over a steep slope. This enhances the property’s aesthetic appeal and also respects the natural contours of the land. It is supported by two vertical, cast-in-place concrete cores, and uses Western red cedar boards for the floor and roof, consistent with the main house’s design. Its glazed walls offer expansive views of the surrounding nature. Inside, the space comprises a single room characterized by exposed concrete, wooden casework, and modern decor.

The project extended beyond the building itself, incorporating enhancements to the overall property. These upgrades include a new infinity-edge pool, terraces, and rustic water features, all designed to harmonize with the existing natural landscape, providing both aesthetic appeal and functional outdoor living spaces. “The new structure is a crisp, wood-framed glass box that hovers just above the flat portion while it soars above the down-sloping topography on the southwest corner of the building,” said the team.

The new additions aim to create “an idyllic compound of beautiful architecture, set in a spectacular garden environment in northern California wine country,” according to the team. Swatt + Partners, established in 2024, was co-founded by architect Robert Swatt, who previously founded Swatt Miers and began his architectural career in 1975. The firm is currently led by Swatt alongside partners Miya Muraki and Phoebe Wong-Oliveros. Their collaborative approach focuses on integrating architecture with the natural landscape, enhancing the property’s aesthetic and functional appeal while maintaining harmony with its surrounding environment.

The post Wood-Framed Glass Box Is A Floating Home Office In The California Wine Country Giving WFH A Whole New Meaning first appeared on Yanko Design.