Sony doesn’t design too much deejay equipment, but wouldn’t it be great if they did? Their Walkman gear and monitor headphones are preferred by audiophiles around the world, so why not just dabble with electronic music too? This absolutely wild MIDI controller concept shows what things could have looked like if Sony built more gear for their music power-users, aka their musician consumers. The gizmo, unnamed for now, is a DJ setup that lets you load music, make mixes, and even sample/edit audio for on-the-fly production.

Load stuff digitally (because that’s how we roll), or slide vinyl into the sides of the controller and you’ve got yourself a gadget that most elite deejays would envy too. It’s sufficiently advanced, yet doesn’t rely on those computer-aided turntables that quantize tracks for you and make the process easier. Whether you’re a novice or someone who believes that scratching vinyl is the only way to mix audio, this Sony gizmo really caters to your whims and fancies.

Designer: The Image

The console is truly a piece of art, with its gorgeous black and red colorway that does two things – firstly, looks incredibly cool to work with, and secondly, allows you to easily see it in the dark so you could be mixing in a club without needing to crank up the brightness to see your interface clearly. There are four screens, two for each deck that handles individual tracks, giving you two in total. The central linear screens show waveforms, so you can load, maneuver, and manipulate audio tracks intuitively. The other screen shows you more granular details like BPM and individual levels.

How do you use it? However you fancy! You can use it to deejay simply by loading songs and mixing between them the way you would with a CDJ. Faders let you swap between left and right decks really easily, MIDI buttons let you trigger effects, loops, and other audio cues for a uniquely personalized mix. Knobs let you play with parameters and envelopes and filters. But what I really love is the fact that the controller is sufficiently analog – which means it accepts vinyl discs too.

The gizmo is surprisingly compact, but it holds discs on each side sort of like the Sony D-88 discman that let a part of the disc hover outside the product’s body rather than completely enclosing the disc for playback. Is it practical? Most seasoned experts would say no – you risk damage, and it doesn’t allow you to intuitively scratch the disc while mixing. However, is it cool? Oh hell yes! I’m kind of bummed that this is just a concept, though…

The post This Cyberpunk Sony DJ Console Could’ve Ruled the Club Scene… If It Existed first appeared on Yanko Design.

Audio Technica is a trusted name when it comes to turntables for audiophiles who don’t compromise on design, functionality or audio quality. The revived Sound Burger turntable and the transparent AT LP2022 turntable to mark their 60^th anniversary are prime examples. The Japanese audio equipment expert leaves nothing to chance, while offering high quality audio products that punch way above their weight, at the most affordable prices.

Now they want to ride the wave of levitating gadgets, given their aesthetic appeal and musical advantages. At the Milan Design Week in Italy, Audio Technica unveiled Hotaru turntable that levitates in mid-air, and has a visual play of colors to go with your favorite musical tunes. These attributes are true to its name Hotaru which means firefly in Japanese.

Designer: Audio Technica

The limited-edition record player is designed keeping in mind modern interiors, delivering more than just high-fidelity sound for music lovers to enjoy. It delivers a multisensory experience for not only music affectionates but everyone who appreciates the good things in life. Only limited to 10,000 units, the turntable can be reserved until 30 May, with full payment of $9,999 to be done by August, and shipping starting a bit later on in October. That’s a long time to wait but there’s also the exclusivity and anticipation when it will finally adorn your living room.

Floating base and platter of the turntable is made out of precision crafted acrylic to give the color lighting effect capable of producing 20 color shades a vibrant glow. The turntable can be operated with three different color modes – a Basic one where you choose a single color, Graditation wherein the colors smoothly transition randomly, and the Link mode in which the colors sync to the music tonality or beats.

The levitating function comes courtesy of the magnetically-suspended platter section that’s repelled by the lower speaker section. This not only looks visually enchanting but also isolates the audio from any sound degrading vibrations that are associated with the connected mechanism. According to the press release, the cartridge functions at its fullest, and the stylus traces the record groove accurately for a crystal-clear audio signal processing. You can also attach the turntable to a hi-fi system to have more thump and clarity in sound.

The Hotaru turntable comes with a speaker system having 2.5-inch full rage speakers and dual 0.75-inch tweeters, producing a frequency range of 60Hz to 20kHz. Casing of the speaker unit is made out of high-quality aluminum placed on solid brass supports. Coming on to the platter, it is driven by a DC servo motor that feeds the sub platter courtesy of the concealed belt. The static balanced carbon tonearm is mounted on the sub-platter that has a specially crafted VM cartridge and headshell. Audio Technica says that the whole system has a “rich and refined feel while also rending sound with unparalleled clarity and dynamic expression.”

The post Audio Technica Hotaru turntable spins records on levitating platform, glows in palette of colors first appeared on Yanko Design.

Remember that time you nearly got hit by a car because your AirPods Pro were doing too good a job canceling noise? No? Just me then. But that’s precisely the problem that Edifier’s new LolliClip ANC open-ear earbuds are designed to solve – delivering quality audio without isolating you from the world around you. And they’re doing it with a design that’s as quirky as their name suggests.

Joining the ranks of multiple entrants in the open-ear audio category (Beats and Nothing, we’re looking at you), the LolliClip earbuds are the fresh kids on the block, competing with a similarly priced Nothing Ear (open). But unlike many competitors who’ve embraced bone conduction or air conduction technology, Edifier’s game-changing feature doesn’t exist in any of its competitors – noise canceling, with the added benefit of health-tracking, right through the earbuds themselves.

Designer: Edifier

Click Here to Buy Now

The LolliClip earbuds feature what Edifier calls a “clip-on” design, which is essentially a small speaker that sits just outside your ear canal. This approach allows them to deliver audio directly toward your ear without blocking it, maintaining your spatial awareness while still providing a surprisingly immersive listening experience. What makes the LolliClips particularly interesting is their shape – resembling, well, lollipops (hence the name). The circular speaker element sits outside your ear while a small stem extends downward, housing the battery, microphones, and controls. A multi-curvature ear hook wrapped in silicone ensures a comfortable fit. It’s refreshingly different in a market where design innovation often feels incremental at best.

Perhaps the most surprising feature of the LolliClips is the fact that it comes with adaptive active noise cancellation – something you don’t see in open ear designs at all because of the lack of a physical seal that helps prevent outer sounds from entering the year. While it won’t provide the cocoon-like isolation of traditional in-ear ANC earbuds, Edifier’s implementation can still reduce environmental noise, focusing primarily on consistent background noises like HVAC systems or engine rumble. This strikes as the perfect compromise for urban commuters or runners who want to enjoy their content while remaining aware of car horns, bicycle bells, or approaching pedestrians. Ideally, outer noise is important, but it shouldn’t completely overpower one’s music.

If that wasn’t enough, the LolliClips also incorporate health tracking capabilities. Using built-in sensors, they can monitor heart rate, body temperature, and even track fitness metrics when paired with the Edifier ConneX app. While they won’t replace your Apple Watch or Fitbit (and Edifier explicitly notes they’re not for medical use), having these sensors in a device you’re already wearing makes perfect sense – and I can’t help but think that we could be looking at most TWS earbuds becoming de-facto fitness tracking devices in the future.

Each earbud houses a 13mm dynamic driver with a titanium-coated diaphragm that Edifier claims delivers “stunning clarity and depth.” With Bluetooth 5.4 connectivity, they support the LDAC codec for high-resolution wireless audio – something audiophiles will certainly appreciate, along with 360° spatial audio. Battery life clocks in at an impressive 9 hours per charge, extending to 39 hours with the included charging case, though ANC usage may reduce these figures. The earbuds also feature IP56 water and dust resistance, making them perfect for workouts and light rain, though perhaps not for your underwater aerobics class.

Both the left and right earbuds are built identically, which means there’s no designated left or right earbud – just pop them on however feels comfortable, and they’ll adjust accordingly. With Edifier’s Intelligent Audio Channel Detection technology, the earbuds automatically calibrate audio channels based on how you wear them, allowing for truly interchangeable wear on either ear. This enhances both convenience and versatility, especially during quick transitions between activities.

At $129, the LolliClips position themselves in the mid-range of the wireless earbud market – not budget, but certainly more affordable than premium offerings from Apple, Sony, or Bose. This pricing feels appropriate given their feature set and innovative design. What’s particularly exciting about the LolliClips is how they represent the maturing of the open-ear category. No longer just a niche for athletes or safety-conscious commuters, open-ear designs are evolving to offer features previously exclusive to traditional earbuds. The addition of ANC, health tracking, and 360° spatial audio with head-tracking signals that this category is ready for mainstream adoption.

Click Here to Buy Now

The post World’s First Open-Ear Earbuds with ANC and Health Tracking – Meet the $129 Edifier LolliClip first appeared on Yanko Design.

Vinyl records have made a remarkable comeback, captivating music enthusiasts with their warm analog sound and tactile experience. Yet as streaming services dominate our listening habits, we’ve gradually lost touch with one of music’s most cherished visual traditions: album artwork. Those square canvases that once commanded our attention while needle met groove have been reduced to tiny thumbnails on digital interfaces, diminishing the artistic vision that countless musicians and designers poured into creating these visual companions to their sonic creations.

Enter the Toshiba Aurex AX-RP10, a portable record player that brilliantly reconnects listeners with this lost dimension of music appreciation. Unlike conventional turntables that focus solely on sound reproduction, this innovative device celebrates album artwork as an essential component of the vinyl experience. By incorporating a dedicated jacket holder, Toshiba acknowledges what vinyl enthusiasts have always known, that album covers aren’t merely packaging but artistic statements deserving their own moment in the spotlight.

Designer: Toshiba

The Aurex AX-RP10 breaks from traditional record player aesthetics with its refreshingly minimalist design. Eschewing the wooden cabinets and retro styling that dominate the turntable market, Toshiba has created something distinctly modern and portable. The compact form factor houses a 2,000 mAh battery for truly wireless listening, while Bluetooth connectivity allows you to pair with your favorite speakers without the tangle of cables that typically anchor turntables to a single location in your home.

Perhaps the most striking visual element of the AX-RP10 is its transparent glass cover that sits atop the spinning vinyl. This clever design choice allows you to observe the mesmerizing rotation of your records while protecting them from dust and accidental touches. For vinyl newcomers, the inclusion of a dedicated arm lifter switch eliminates the anxiety of potentially damaging precious records, a thoughtful feature that makes the analog experience more accessible to those raised in the digital era.

The unusually compact body creates a distinctive visual signature, with most of the vinyl disc extending beyond the turntable’s edges. This design choice results in a floating effect that draws attention to the record itself rather than hiding it within a bulky housing. The contrast between the sleek, minimal player and the colorful, spinning vinyl creates a visually arresting centerpiece for any room, transforming music playback from a background activity into a focal point of your living space.

What truly sets the AX-RP10 apart from competitors is its dedicated jacket holder positioned at the rear of the unit. This seemingly simple addition fundamentally transforms how we interact with our vinyl collections. As your record spins, the corresponding album artwork stands proudly displayed, creating a complete sensory experience that connects visual art with audio. The holder elevates album covers from storage sleeves to displayed artwork, encouraging deeper appreciation of these often overlooked visual components.

The thoughtful integration of modern technology with vinyl’s analog charm makes the Toshiba Aurex AX-RP10 a perfect bridge between past and present. By honoring album artwork as an essential part of the musical experience, this portable player reminds us that great music has always been a multi-sensory art form. For vinyl enthusiasts who cherish both sound quality and visual aesthetics, this innovative turntable offers a fresh way to celebrate records in their full artistic glory: spinning black discs accompanied by their rightful visual counterparts, exactly as the artists intended.

The post Toshiba Wireless Portable Record Player Puts Album Jackets on a Pedestal first appeared on Yanko Design.

Spotify officially discontinued their first and only hardware product – the Car Thing in December 2024, leaving us entering 2025 with a palpable car media player-shaped void in our hearts. But here’s a question – what if we just had other companies make Car Things instead of Spotify? This new ChatGPT AI feature allowed us to imagine what the Car Thing would look like if it was built by other iconic audio-related brands, both old and new.

Prepare to go on an absolute feels trip as we look at the Car Thing from brands as old and iconic as Sony Ericsson’s Walkman and VLC to fairly new kids on the block like Tidal and Audible. The format is simple – a car-mounted player that lets you, either through touch or through button control, play media on a streaming service of your choice. More analogue systems like the Walkman and the VLC player obviously have local storage playback, while others like YouTube and Audible tap into internet playback.

Designer: Sarang Sheth

This started purely as a nostalgia exercise, inspired by the retro gadgets series from last week. However, it later blossomed into a more rounded ‘what if’ experiment as the idea of a hardware player made more and more sense for most audio streaming giants today. We start with Sony Ericsson Walkman and VLC, absolute behemoths of the media space in the 2000s. VLC had two features – firstly, the ability to handle literally every file format on the planet, and secondly, the fact it was free. VLC Media Player could be found on every laptop and desktop on the planet, which is why making a VLC car media player made sense too. Simple interface – a nice volume knob, and controls that mirrored the skeuomorphic ones seen on the player.

While VLC reigned supreme on desktop, Walkman was the go-to for every non-iPod user on the planet. It was the iPhone before the iPhone was the iPhone. Sure, Nokia had some wild phones back in the day, but nothing beat the cultural impact of Sony Ericsson’s Walkman phones. The car media player mirrors the same cult impact, with a black body and bright orange accents like that gorgeous radial-brushed knob. Finally, the Sony Ericsson logo makes its way at the bottom too, just giving everyone absolute feels!

Sure, Sony had to butt heads with the iPod, which is why we looked at the Car Thing from an iPod lens too, with an iTunes player instead of the newfangled Apple Music. Everything about this player feels classic, from the design to the color finish to the gorgeous jog-wheel on the side that’s highly reminiscent of the iPod. Anyone who grew up in the 90s and 2000s will gush over this beauty.

The next player really needs no branding – the red play button on the bottom is branding enough. This one was a bit tough, because we deliberately didn’t want to include video players in this series – but the thing is a LOT of people use YouTube to listen to podcasts too (I’m an ardent TWiT.tv and Waveform Podcast listener), so we decided to go ahead with a YouTube-esque Car Thing. The screen gets priority here, so we moved the volume knob to the side, and the buttons on the bottom let you do everything from quickly control playback to even toggle video quality settings just in case you’re driving through an area with bad reception.

For me, the first ever truly addictive audio-only platform was Soundcloud. It was THE place for indie music, mixes, playlists, etc. I was quite the EDM lover and artists would upload their remixes, livesets, and entire albums directly onto the Soundcloud website. That’s why this one definitely deserved a player. The screen’s much more narrow, because the only thing that matters is the track itself, and of course you’ve got all the tactile buttons you need to control music playback on your car ride. Let’s just say I also asked ChatGPT to help me manifest my DJ career with a nice Levels remix!

Obviously, you can’t have online audio media today without having podcasts and audiobooks, which is why we took two popular players in this area and gave them their own hardware devices. Most people listen to podcasts or books while commuting, so this made a world of sense The Pocket Casts service gets its own hardware unit, with all the interface controls you need to listen to your favorite pod episode. Similarly, if you’re a book person, this Audible Car Thing is perfect for you, helping you get through your book collection while you’re stuck in traffic! They’re all conceptual, but I’d like to think that these devices do have on-board storage too, so you can listen to your favorite audio pieces even without an internet connection.

Finally, the last in this list is a bonafide Spotify competitor. Run by Jay-Z and a bunch of other Hollywood music execs, Tidal is touted as the world’s go-to for hi-fi music. You don’t stream MP3s here, you stream high-definition audio – which I assume some people definitely pay for. For the folks subscribed to Tidal (I honestly don’t know who you are), this car player is for you, bringing hi-fi audio to your presumably hi-fi car sound system. The design and interface seem very slick with the black-on-black design palette… and given that it’s Tidal, I had to put Beyonce on the Now Playing section… I guess I’ll thank her too, just in case.

Which Car Thing is your favorite? Would you like to see more? Hit us up on Instagram and let us know!

The post If Sony Walkman, YouTube, Audible, and Apple made Car Things, this is how they’d look first appeared on Yanko Design.

Kickstarting your audiophile journey is much more than finding the most expensive pair of earbuds or headphones that you can afford, and playing music from lossless sources or local FLAC files. It is more about fine-tuning the elements to get the best out of your hardware and software. To elevate your audio listening hobby, a balanced output pair of IEMs or earbuds, a DAC that is high-res certified, and a high-resolution player or a phone with a high-end DAC are absolutely essential. However, if you have just started your audiophile adventures, owning these three alone can cost a lot.

For that reason, Campfire Audio has released Axion, a pair of earbuds with a USB-C connector and built-in 32-bit/384kHz DAC to ease you into your music explorations. Best of all, the earbuds come at an affordable price of $249. According to Campfire Audio’s founder, Ken Ball, “We set out to provide a high-performance, accessible entry into the world of high-fidelity, portable audio. Axion checks all boxes when it comes to true hi-fi on the go: incredible sonic performance, plug-and-play usability, lightweight and comfortable.”

Designer: Campfire Audio

Don’t let that price make you believe these buds are average and just have the fancy Hi-Fi label slapped onto them. They actually have substance, adapting tech and nifty elements of their much higher-priced counterparts from the brand, including the Fathom and Andromeda, which cost in excess of $1,000. The in-ear earbuds are tuned very well for a balanced sonic performance and the integrated Hi-Fi DAC makes sure your audio is crisp and has a wide soundstage. The on-board full-range silicon dynamic driver brings the precision of a balanced armature driver and the warm, yet punchy output of a classic dynamic driver. This means an assured, smoother and balanced sound output that’ll please audio lovers.

The USB-C cable with an in-line microphone expands the usability beyond just the audio listening experience. You can take calls or attend online meetings with the assurance of clear sound output for the listener at the other end. The three-button control panel allows the user to adjust volume levels or control media playback just like some of the other heavyweight wired options do. Having so many utilitarian features slammed into such a small package speaks volumes about Campfire’s commitment to serving its budget buyers or amateur audiophiles.

Connecting them to your smartphone is going to be a breeze, especially the newer models that have ditched the 3.5mm jack for the new standard. You don’t have to buy a separate DAC just to get wired connectivity with this pair. Given all the specifications and features of the Campfire Audio Axion, it seems like a promising option for music lovers who are constrained by a budget of $300.

The post USB-C compatible Campfire Audio Axion with built-in DAC comes at affordable price that’s unbeatable first appeared on Yanko Design.

Digital audio players have historically occupied a distinct niche in the audio ecosystem, excelling at delivering high-quality sound on the go but typically returning to your pocket or drawer when you arrive home. This separation between portable and home audio equipment has long been accepted as a natural limitation, with different devices serving different purposes in the audio chain. Astell&Kern’s new PS10 challenges this conventional wisdom by creating a single device that seamlessly transitions between portable player and home streaming component, potentially eliminating the need for separate equipment in both contexts.

Designer: Astell&Kern

The Korean audio specialists have built their reputation on premium portable players that push the boundaries of what’s possible in mobile audio. Their latest creation represents more than just another iterative improvement—it fundamentally rethinks what a digital audio player can accomplish. The PS10 arrives at a time when many audiophiles maintain separate ecosystems for mobile and home listening, often resulting in redundant purchases and complicated setups.

The Revolutionary Docking System

The PS10’s most significant innovation comes in the form of its included docking cradle, a component that instantly converts the portable player into a full-featured high-resolution network streamer for home audio systems. Unlike basic charging stands or afterthought accessories, this cradle represents a thoroughly considered extension of the player’s capabilities, featuring professional-grade XLR balanced outputs on its rear panel that enable direct connection to powered speakers or integration with existing two-channel systems. These balanced connections provide the purest possible signal path, minimizing interference and noise that can degrade sound quality in less sophisticated implementations.

When docked and connected to a home network, the PS10 supports resolutions up to an astonishing 32-bit/768kHz PCM and DSD512, specifications that exceed what most commercial recordings currently offer. For those invested in the Roon ecosystem, the PS10 functions as a certified Roon Ready endpoint, integrating seamlessly with that sophisticated library management platform without requiring additional hardware or complex configuration. The cradle effectively eliminates the need for a separate network streamer—a category that typically starts around $1,000 for quality components—creating a compelling value proposition for audiophiles who demand consistent quality across all listening scenarios.

Engineering Excellence Within

The PS10 incorporates Astell&Kern’s HEXA audio circuit design first developed for their flagship SP3000 player. This architecture physically separates digital and analog signal processing paths, a crucial distinction from conventional approaches that dramatically impacts sound quality. Four AKM AK4498EX DACs handle the conversion process, making the PS10 the world’s first DAP to utilize this specific chip, while two separate AK4191EQ chips are dedicated to digital signal modulation.

Most digital players process both digital and analog signals together inside the DAC, but the PS10 takes a different approach. Its advanced HEXA structure reduces digital noise by using the AK4191EQ as a separate digital delta-sigma modulator, allowing the AK4498EX DACs to focus exclusively on analog conversion. This separation matters tremendously because digital processing generates electrical noise that can bleed into analog stages, creating subtle distortions that degrade the listening experience. By physically isolating these circuits, the PS10 achieves remarkably clean sound reproduction that would be impossible in more conventional designs.

The player also features dual independent amplifier circuits, each supporting normal and high gain modes, allowing precise matching with various headphone impedances and sensitivities—from power-hungry over-ears to delicate in-ear monitors. For less technically inclined listeners, the Smart Gain feature automatically detects connected headphone impedance and adjusts settings accordingly, ensuring optimal performance without requiring deep technical knowledge from the user.

Comprehensive Connectivity Options

Practicality hasn’t been sacrificed in pursuit of sound quality, as the PS10 comes equipped with 256GB of internal storage, expandable via microSD card up to an additional 2TB. This generous capacity accommodates extensive high-resolution music libraries without constant management or compression compromises. Dual-band Wi-Fi ensures stable streaming even in crowded wireless environments, while Bluetooth 5.3 with support for high-resolution codecs including aptX HD, LDAC, and LHDC enables wireless listening without severe quality compromises when paired with compatible headphones.

The PS10 also functions as a Bluetooth DAC, allowing users to stream audio from external sources like smartphones through the player to a home audio system. This versatility means your phone’s streaming services can benefit from the PS10’s superior conversion capabilities without requiring direct physical connections. DLNA support and USB-C connectivity round out the package, providing multiple pathways for getting music onto and out of the device depending on user preferences and existing equipment.

Design Evolution and Physical Characteristics

Visually, the PS10 represents a significant departure from previous Astell&Kern players, abandoning the company’s signature volume wheel—a defining characteristic of their design language for years—in favor of physical buttons that enable intuitive one-handed operation. Astell&Kern describes the PS10 as inspired by the “Contrast Cube” concept, combining stainless steel and glass for a sleek, minimalist aesthetic that stands apart from their previous offerings while maintaining premium material quality throughout.

Despite its substantial capabilities, the PS10 remains genuinely portable at just 104 x 66.5 x 14.8 mm and weighing only 165g, ensuring it remains practical for on-the-go use rather than becoming a home component that technically can travel but rarely does. The 6-inch touchscreen display dominates the front panel, providing an intuitive interface for navigating music libraries and adjusting settings without requiring external controllers or complicated menu systems.

Battery Performance and Software Enhancements

A device that bridges portable and home use requires power management to match, and the PS10 incorporates a 5,770mAh battery delivering up to 15 hours of playback—sufficient for extended listening sessions without constant recharging. When power does run low, fast charging via Power Delivery 3.0 quickly replenishes the battery, a practical consideration that ensures the PS10 remains ready for use whether at home or on the move.

Astell&Kern has incorporated several software features that enhance the user experience beyond basic playback functions. ReplayGain provides volume normalization across tracks with varying recording levels, preventing jarring volume changes when moving between different albums or artists. Crossfeed settings improve headphone listening by creating a more speaker-like presentation, reducing the extreme channel separation that can sometimes make headphone listening fatiguing over long periods. AK File Drop enables wireless file transfers without requiring physical connections, streamlining the process of adding new music to the device from computers or other storage sources.
Market Position and Product Focus

The PS10 is priced at $2,500, positioning it below Astell&Kern’s flagship offerings while still representing a significant investment for audio enthusiasts. This price includes the crucial docking cradle, making it a complete solution for both portable and home listening scenarios. According to Astell&Kern, the PS10 will debut at CanJam Singapore on April 5-6, 2025, with global availability beginning in May 2025 through authorized dealers.

The device’s dual-purpose functionality addresses a specific need in the market: high-quality audio that maintains consistency whether you’re on the move or at home. The comprehensive technical specifications—including four AKM AK4498EX DACs, dual AK4191EQ chips for digital signal handling, and professional-grade XLR outputs on the docking cradle—demonstrate Astell&Kern’s commitment to performance in both use cases. With support for audio up to 32-bit/768kHz and DSD512, plus certification as a Roon Ready endpoint, the PS10 offers capabilities that match or exceed dedicated home streamers while maintaining the portability expected from a premium DAP.

The PS10’s thoughtful design choices extend to practical considerations like the 5,770mAh battery delivering up to 15 hours of playback, fast charging via Power Delivery 3.0, and 256GB of internal storage expandable to 2TB via microSD. These specifications ensure the device remains functional and convenient in daily use, not just impressive on a technical level. Additional features like Smart Gain for automatic headphone impedance matching, ReplayGain for volume normalization, and AK File Drop for wireless transfers further enhance the user experience beyond basic playback functions.

The post Astell&Kern’s PS10: The Hybrid Device That Transforms Portable Audio first appeared on Yanko Design.

Vinyl records evoke nostalgia and hold memories of the past, and in the digital age, they have experienced a resurgence, becoming a popular medium for music lovers, especially audiophiles. As a result, vinyl records are making a strong comeback, with audiophiles now enjoying the unique experience of listening to vinyl records on either turntables or record players. The evolution of recorded music began with the gramophone in the 1870s, followed by the introduction of the first electric record player in 1925. Since then, record players and turntables have evolved to allow you to play vinyl records that cater to different listening preferences and styles. Although turntables and record players are distinct devices, they serve the same purpose of playing vinyl records, but their setup and sound quality differ and affect the listening experience.

Turntable

A turntable is a sleek, minimalist device that is designed to spin vinyl records at the correct speed while the stylus (or needle) reads the grooves and produces sound vibrations. However, it requires additional components, such as an amplifier and separate speakers, to produce sound. While a turntable is focused on accurately reading the vinyl for optimal sound reproduction, it also offers a tailored listening experience. Audiophiles prefer turntables for their high-quality, immersive audio and customization potential, as well as because they allow users to upgrade components to match their preferences and budget. On the downside, assembling a turntable can be a complex process.

There’s a strong appreciation for classic retro style, and the Brad Retro Mk II perfectly captures this with its vibrant, retro-inspired design that combines nostalgic charm with modern functionality. This turntable features a boxy, analog look and a colorful personality with which it not only captures the charm of vintage record players but also meets the needs of today’s audiophiles. Its belt-driven mechanism, three-speed settings, and compatibility with 7-12″ vinyl records deliver authentic analog sound.

The built-in 10W speakers allow one to enjoy music without the need for external speakers, while the option to connect via Bluetooth or a 3.5mm jack provides versatile option for louder listening. A new USB-C power port adds portability and allows one to play music anywhere while on the move. Therefore, the Brad Retro Mk II caters to a variety of tastes, it exudes playful vintage charm along with features like tactile controls and easy connectivity.

For audiophiles seeking unmatched sound quality, Pro-Ject’s Signature 12.2 turntable can be the ideal choice as it offers advanced technology and exceptional craftsmanship. The turntable weighs 80 lbs and the turntable features a high-mass platter over 25 lbs alongside an anti-resonant MDF base made from stainless steel with a weight of 50 lbs. The platter spins on an inverted ceramic ball bearing with magnetic support, while over 100 precision CNC-machined components enhance stability and reduce external interference for exceptional sound reproduction.

The Signature 12.2 delivers deep, immersive audio, revealing new sonic details even in familiar tracks. It features a 12-inch S-shaped aluminum tonearm with a 3-point pivot bearing and removable headshell for easy cartridge swaps. The turntable supports 33⅓rpm and 45rpm speeds and it includes an electronic speed change option for precise adjustments. The hand-painted MDF plinth is coated with 10 layers and reinforced with steel pellets to reduce vibrations, and is complemented by a polished aluminum panel and a sleek piano-black finish.

Record Player

A record player features a compact, all-in-one design that integrates the amplifier and speakers into a single unit and offers a convenient, plug-and-play solution. The record player is perfect for casual listening but it does not provide the rich, high-quality sound that vinyl records can offer which makes it less suitable for audiophiles that seek deeper sound depth. Additionally, record players evoke nostalgia with their classic way of enjoying music which provides a user-friendly, hassle-free option that simplifies the vinyl listening experience. It’s important to note that while all record players include a turntable, not all turntables are record players.

The sleek design of record players extends beyond just playing vinyl as it offers a more refined and immersive experience. For instance, this record player design takes inspiration from architectural precision as it features an aluminum chassis with slats that are reminiscent of modern buildings. These slats add to the visual appeal and serve practical functions. One slat holds the tonearm when not in use to prevent accidents while the gaps between the slats cleverly conceal the controls.

Unlike traditional buttons or sliders volume, speed, and power blend seamlessly into the design, as it offers a unique, hands-on way to engage with the machine. The anodized aluminum body gives the record player a distinctive industrial look that evokes the look of robot arms used in manufacturing. In a world of digital music consumption, this design reintroduces a physical and classic way to enjoy vinyl, and it makes the listening experience more memorable and immersive.

A recent innovation is Oscar Olsson’s TT-90 System wall-mounted record player that blends classic analog with modern digital technology. Designed in black, orange, and white, it eliminates the bulky cabinet-style appearance of traditional players and offers a sleek, space-saving alternative. The vinyl appears to float on the wall, yet spins smoothly beneath the needle to deliver the iconic sound vinyl lovers cherish. The best part about this product is that it removes the bulk of conventional players and adds mobile control functionality.

The TT-90 System can be operated via onboard controls or can be synced to a smartphone for added convenience. The stability concerns of the record player are addressed with rubber packs against the wall to minimize vibration, and a threaded knob securely holds the vinyl while it spins vertically. This record player is visually striking and highly functional with practical design elements for an enhanced vinyl listening experience that offers style and advanced features for audiophiles.

Sustainable Innovation in Design

The use of sustainable materials like bamboo, aluminum, and glass in record players and turntables is a growing trend as consumers and manufacturers prioritize eco-conscious, durable, and environmentally friendly designs. In this example, the Stir It Up Lux Bluetooth Turntable from the House of Marley combines style, sound quality, and sustainability. It is designed as a tribute to Bob Marley with a bamboo plinth, glass platter, and a replaceable Audio-Technica 95E elliptical stylus for enhanced audio performance. The lightweight aluminum headshell and tonearm improve tracking, while the bamboo and glass construction absorbs motor and bearing noise, delivering cleaner, more accurate sound.

Additionally, the turntable pairs easily with speakers and other devices with Bluetooth connectivity. A unique feature is the double-sided cork slipmat that offers one side with simple black cork, and the other with vibrant, Marley-inspired graphics. With a focus on sustainability, it uses bamboo which is one of the fastest-growing plants alongside recyclable aluminum and glass. This turntable offers an eco-friendly yet high-quality listening experience with a touch of Marley-inspired charm.

What is the difference between a Turntable and a Record Player?

• Design: A turntable cannot play records on its own but requires separate components which include a speaker and amplifier, while a record player is an all-in-one unit with built-in speakers and an amplifier.
• Target Audience: Turntables are ideal for serious music enthusiasts who prioritize high-quality sound, whereas record players are better suited for casual listeners who seek a simple, integrated solution for listening to music.
• Sound Quality: Record players usually offer lower sound quality than turntables and have fewer customization or upgrade options since they come with built-in amplifiers and speakers.
• Price: Turntables are typically more expensive than record players because of their superior sound quality which makes them a better investment in the long run.

The vinyl revival represents more than nostalgia – it’s a testament to the enduring appeal of analog sound in our digital world. Whether you choose a sophisticated turntable with customizable components or an all-in-one record player for convenience, each offers a unique gateway to experiencing music in its most authentic form. Today’s market caters to every preference, from sleek wall-mounted designs that save space to sustainable options crafted from eco-friendly materials. The choice between a turntable and record player ultimately depends on your listening priorities: audiophiles seeking premium sound quality may gravitate toward turntables, while casual listeners might prefer the simplicity of record players. Regardless of your choice, embracing vinyl connects you to music’s rich history while participating in its exciting future, where tradition and innovation harmoniously coexist.

The post Turntable vs. Record Player: Decoding the Vinyl Experience For the Nostalgic Audiophile first appeared on Yanko Design.

The piano is probably one of the most cinematic musical instruments. When a character in a movie or TV show starts playing the keys, especially in a non musical kind of media, there’s a pretty dramatic or even joyful effect. It’s not just the sound but also the visuals of those black and white keys being played that adds some aesthetic. Now imagine the impact an all-black keys kind of piano can bring in real life.

Designer: Yamaha

Yamaha’s Torch 01 is a digital piano that is unique not just for its all-black keyboard but also for the materials used to create it. The main material is the rare wood Grenadilla or African Blackwood. Normally this wood is used for wind instruments like clarinets and oboes. However, 90% of it ends up as fuel. So instead of that waste, why not use the unused wood to create a visually striking and tactile kind of piano? Add to it natural oils for the hand-finished wooden parts and you get a pretty unique instrument.

The Torch T01 is a visual and tactile delight. The instrument’s design emphasizes the natural beauty of wood, with hand-finished surfaces and intricate laser-engraved patterns. The attention to detail is evident in every aspect, reflecting Yamaha’s dedication to craftsmanship. The instrument’s aesthetic is one of understated elegance, with a focus on natural textures and organic forms. It’s a piano that invites you to touch and play, creating a deep connection between the musician and the instrument. The Yamaha Torch T01 is a highly exclusive instrument, produced in limited quantities and sold via a lottery system in Japan. This exclusivity underscores its status as a collector’s item and a symbol of Yamaha’s innovative approach to instrument design.  

The materials used are not just mere marketing gimmick for sustainability. The use of Grenadilla creates a unique tactile experience for the player. The keys, with their natural grain and warm hues, offer a distinct feel, and over time, their color will subtly evolve, creating a living, breathing instrument. While sustainability is at the forefront, Yamaha has not compromised on sound quality. The Torch T01 boasts the voices of Yamaha’s flagship CFX concert grand piano and the renowned Bösendorfer Imperial concert grand, delivering a rich and immersive sonic experience. It’s also a reminder that sustainability and artistry can coexist, creating a harmonious future for music and the planet. This instrument is a shining example of how companies can innovate and create products that are both beautiful and good for the planet.

The post Yamaha’s Torch T01’s rare wood material create sustainable and aesthetic instrument first appeared on Yanko Design.

With the arrival of music streaming, our smartphones have become the primary way we enjoy tunes, whether on the go or even at home. Once upon a time in the age of iTunes, however, “MP3 players,” more formally known as personal music players or PMPs, were all the rage. Of course, the dumbphones back then weren’t that capable of being decent music players, but the world has thankfully moved forward. Now you can have dumbphones that can finally perform that feat.

They’re no Nokia XpressMusic phones, but the new HMD 130 Music and HMD 150 Music try to bring back the simple joys of listening to music whenever and wherever, without having to fumble with apps and settings. Plus, they carry a striking retro charm that will make you wish for those good old days, or dream about how listening was so much simpler back then.

Designer: HMD Global

When all you really want to do is play some tunes to inspire or relax, the last thing you need is to dig through apps and menus on your phone. Before you know it, your day has already passed you by thanks to the distractions of notifications. HMD Global’s two new darlings allow you to plug in or blast your music almost instantly, and it even has dedicated buttons that put control at your fingertips, literally.

The HMD 130 Music and HMD 150 Music sport traditional candybar designs that are simple, straightforward, and in the eyes of today’s generation, quite peculiar. The user experience revolves around a T9 keypad with a square D-pad in the middle, a convention that forced phones back then to have simpler UIs. There are two notable designs on both phones, one of which is the strip on one side of the phone that has dedicated physical controls for playing, pausing, and skipping tracks.

The other unique aspect of these phones’ designs are the grilles on their back, a circular arrangement for the HMD 130 Music, and a more conventional rectangle of dots on the HMD 150 Music. These hide a 2W speaker that will let you broadcast your favorite tunes to some extent. For more private listening, there’s a 3.5mm headphone jack that’s also considered a retro feature by now.

HMD Global doesn’t hesitate to call these devices as “dumbphones,” and they pale in comparison to the capabilities of even the cheapest smartphone. What they bring, however, is the simplicity of a communication device that can let you detach without disconnecting from the world, freeing you to just enjoy your music. And with a removable 2500mAh battery, you can keep on listening far longer than your smartphone can stay alive in one day.

The post HMD 130 and 150 Music phones are making personal music players trendy again first appeared on Yanko Design.